Stephen Fry’s recent comments criticising Stonewall have been seized upon by many as a welcome sign the mood has changed on trans issues.
For years Fry has offered uncritical backing to both Stonewall and to trans extremism. In 2018 he denounced women who protested at Pride about lesbian erasure as “pretty damned sick” and dismissed their defence of lesbian identity as “some screwed up contempt for the rights of trans and intersex people.”
In 2015 Fry also joined Graham Norton in funding a deluded woman’s double mastectomy.
As for Stonewall itself as recently as seven months ago Fry headed up a video tribute to mark the organisation’s 35th anniversary.
Fry’s career has been nothing if not notable for his willingness to express his opinions, no matter how controversial or unpopular.
[I]f loudmouth misogyny is a theme of Fry’s career as a self-styled public intellectual there is another that is just as disturbing. His careless attitude to the safeguarding of children.
Fry goes on to applaud the “courage” of children who tell their school they are the opposite sex even though the Cass Review concluded social transition like this should be avoided.
This claim is, naturally, always expressed in terms of children’s rights. This makes it sound liberating and progressive. Yet the demand for so-called “bodily autonomy” for children also just happens to have been the central argument of the paedophile lobby for decades. They too made sure to dress up their argument that children should have the autonomy to “decide” to have sex with adults as progressive.
Fry’s comments in his Triggernometry interview do not come out of a vaccuum. They have an important context that is very different from that of the average deluded parent or trans activist who cites the notion of ‘being born in the wrong body’. That context is his long track record of minimising the seriousness of adult-child sexual contact.
Fry’s attitude reached its apogee in his play ‘Latin!’ which took the Edinburgh Fringe by storm in 1980 despite its celebration of….paedophilia.
The play, set in a private boys’ school, depicts the “relationship” between Dominic Clarke, a Latin teacher and one of his pupils Rupert Cartwright. Cartwright is 13 at the time. He is also an orphan. So not vulnerable at all then.
The point is that nowhere in the play is there a hint that adult men having sex with children is ….problematic.
“Pleasure lies between the thighs of a young boy“, declares Clarke unapologetically.
The only thing more startling than the fact this play was ever put on never mind won the Fringe First Prize is that it has been continually revived and reviewers keep uncritically applauding it.
This despite the fact in the play Clarke ends up running away with Cartwright- a 13 year old orphan- to Morocco. There they live in something approaching sexual and emotional bliss and write to the school to reveal young boys and men can live together in Morocco as sexual partners. This triggers the pupils to demand they be allowed to go there.
Written years before we were told to believe in the trans version of “born in the wrong body” the paedophile teacher Clarke sighs,
“When I was a boy, I thought, slept and played like a boy. Then nature began to drop hints about a change in status: a cracking voice, hairs about the buttocks, acne … I never asked to be a man. I never wanted to be man. I want to be a boy. If when nature starts thrusting pimples and hairs through the skin, a boy could be kept from school and the world of men and just carry on behaving as a boy, then perhaps nature would give up and the pimples and hairs would recede. The permanent boy could be found.”
It’s hard to avoid the conclusion that for some gay men who have what we might call flexible attitudes to the age of consent the notion of “born in the wrong body” may be highly sexualised. The permanent boy is a sexual ideal.
All this is complex and rather sinister for it implies that for some gay men who have convinced themselves that 12 or 13 year olds can consent to and even benefit from a sexual “relationship” with an adult the prospect of trapping a child in an infantile state may be seen through a highly eroticised filter.
The child’s trauma ends up dismissed in the same way Fry waved away his own sexual abuse as “if that is abuse, to hell with it: it’s fine.”
Fry should not be allowed to walk away unscathed from the mess he helped create. If Stonewall is in a quagmire it was his misogyny, cowardice and deeply dodgy views about children and their “sexuality” that helped put it there.
Source: The Shameful Secrets of Stephen Fry.